Finding The Potential of a Tree in Design

Celtic Cinensis 60cm Owner: Rudi Julianto 

Oleh : Rudi Julianto & Will Heart

There is a time in the making of each bonsai in which we have to determine a pattern or a path that would become a role model lines, this pattern will bring the beauty of artistic potential of the full line with the identity of these bonsai material. This is where the talents of the artists involved bonsai, and this is where the theories of bonsai making based on 'textbook' not used, because in finding potential of a bonsai is basically a feeling of involvement is not easy to explain and even too complicated to be taught . Each bonsai is a different material and each offers a lot of possibilities to become a great bonsai, but only a few of these possibilities that have potential and can really bring the artistic beauty. Talents of the senimanlah can find out what's possible, would be a bonsai is how the material was and where lies the beauty of artistic, but still on the pathways in accordance with the character of the tree. This is not a step with his eyes closed, or someone who just guessing. Perletakan from each branch can reach all the possibilities, pieces of stems or branches which could mean a good genie made later, and the decision to focus on the potential to be involved in selecting the material available, although the potential was only slightly visible. There are no theories in the book, the guidelines or any rules that can guide us in the process of making decisions. There is no whisper of words to be learned and applied in finding the true potential of a bonsai, this capability should be out of the soul of a bonsai artist, of talent and creativity of an artist, of course, bonsai and bonsai material itself. Each plant species have differences in treatment response, each has advantages and disadvantages of each offer many design possibilities, which will be the same or not between the trees and the other one. Clearly every tree is different, and each tree offers sepesial character, a very unique possibility in the future, and a strong soul, all waiting for the touch of the bonsai artist to be at raised. Usually a vote bonsai material because he saw that something of the material, or the potential possibilities that are available from the components. This view may or may not be able to meet the standards of a traditional bonsai making, but a bonsai material should not be forced into something that is not desired by the tree itself. This is the most difficult part in the process of determining the decision, see what's on offer and not to project tree will and our thoughts much less force to a will. For example: When someone would make a bonsai material into the pose 'hang', and the tree was going to or allowed to hang position, then let the tree sit 'hang', do we occasionally forced to make something not a tree or enable. Sometimes this will apply to a non-conventional design, such as in the example pictures below, but this is fine as long as the results imply that artistic beauty in the form of a nice visual viewed. Sketch drawings and computer simulations are tools that are good to help us in seeing the possibilities are there of a bonsai material, these facilities can be described in detail to form the desired visual. It is very nice if we could know in advance through simulation whether this branch should have, or plan for how the shape of the leaves, even we can see how if it roughly when the added branches in the here and the others. Recognizing the types and habits of growing bonsai material is very important to us to be creative in a reasonable possibility. For example there is a growing tree species is very fast, have dense foliage, perantingan good. There is also a type of tree bark that has character very strong, the branches and leaves grow on the trunk. Adding a branch on a tree of Ficus benjamina is very realistic, but almost no realistic when we want to add a branch on a tree Black Pine. Of course, grafting and other techniques in the long run can do much to fulfill our will, find the potential in the early stages of bonsai material as we mean in this article was the discovery in the short term, as shown in the following case. Many cases where a manufacturer will have bonsai bonsai material which he had been doing a stalemate to be considered a good tree, the substance pattern is very diverse and confusing, and the choices made can even make a very frustrating, this is because no or have not found the proper design patterns. This is where a flair for finding the talent potential of the tree will be very useful as a means of bring the best possibilities are there on bonsai material. Such as photographs and sketches that we display below in order to describe how the basic principles of recognizing and utilizing what's there and use components that are available to bring the potential of a bonsai material. Finding 'vocal point' in a composition with deep feelings involved, this is where the beginning of everything, then the others just follow the pattern. Of course, many of the potential offered by good in a bonsai materials, bonsai every artist can have in determining the difference, depends on the talent and vision of each, but whatever their choices ultimately determine the final outcome, whether the option is is the best potential and will become a work of artistic bonsai and good views?

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